Today was Christmas tree day in my household. We have as big a Fraser Fir as we can fit in our drop-ceiling rec room, and the fresh evergreen scent fills the room.
It’s going to be an awkward holiday this year, for millions of people around the globe, so we must all do the best we can to share the light with each other, through patience and kindness as we buy our groceries and gifts. Early decorating has been trending here in Ontario — I saw some house lights up early in November, and some Christmas trees in windows too.
While we may not be able to share our holiday with many people, for my hubby and I our tree is a lot more than just an annual decoration. On our honeymoon in the U.S. Virgin Islands we came across a blown-glass sea urchin ornament in a shop, and from that day onward we started bring back some memento(s) from each trip for our tree. They may or may not be actual ornaments — anything that we can hang will do. From our trip to New Zealand, on our rocky crossing via ferry from the South Island to the North Island across the Cook Strait I bought a small paperweight in the onboard shop; it has a tiny version of our boat bobbing on blue liquid inside a plastic cube, around which I wrapped a strand of fishing line to knot and loop into a hangar of sorts. The ornament just naturally hangs at a bit of a tilt, which immediately reminds us of crossing the strait in gale force winds and 9-metre swells.
The photo today shows one of my most prized ornaments. It’s a little stone replica of the Sun Gate at the highest ancient city in the world, called Tiwanaku (or Tiahuanaco, you may see it either way in books). This big ruin is so remote that most travelers will probably never see it, but ever since I first read about the mysterious ancient city I wanted to go there one day, and so the tour of Peru that I chose included a final couple of days crossing the border high in the Andes mountains into Bolivia and stopping at Tiwanaku on the way to our final destination of La Paz.
I’ll return to the rest of the tour, including Machu Picchu, a far more famous but far less enigmatic ruin, in a subsequent blog post. For today, I offer this little escape from the stress of the 2020 holiday season.
Tiwanaku is located a few miles from Lake Titicaca; when it was built it sat right on the shore, but the lake’s waters have receded since then. The high, flat, windswept Altiplano surrounds it, well above the tree line, and looking at the barren landscape you’ll immediately wonder how anyone ever managed to live in such an inhospitable place.
But the ancient builders had many secrets up their sleeve, including an ingenious system of agriculture that consisted of raised beds which lifted the plants off the cold ground and created stopped micro-climates.
The next question would be how they built nine- to ten-foot high walls and statues out of massive stone blocks weighing up to ten tons, with no logs around to roll these blocks from one spot to another.
Mysteries abound at roughly 13,000 feet up in the snow-capped mountains — why this location, where did the stone come from, how was it cut so precisely?
Tiwanaku began to attract attention after a Spanish conquistador named Pedro de Cieza de Leon found his way to it in 1549. To this day no one knows who built it, but when de Leon asked the locals if the ruins had been built in the time of the Incas, they “laughed at the question…that they were built before they reigned, but that they could not state or affirm who built them.”
Archeological excavations began in the 1900s, and continues to this day. Funding and the conditions at the high altitude have kept progress slow, and it’s currently estimated that less than one-quarter of the ancient citadel has been revealed so far.
One of the mysteries remains how old the place is — suggestions range from about 1,500 to thousands of years. An Austrian naval engineer named Arthur Posnansky, working on the site in the early 1900s, used astronomical measurements to determine that the main temple, the Kalasasaya, on a raised mound and surrounded by a great stone-block wall, would have last been aligned with the Sun at about 15,000 years B.C.
In the middle of the temple, barely excavated, sits the massive Gateway of the Sun.
On one side the capstone is carved with a central figure of Viracocha, the South American creator god, surrounded by numerous carvings, one of which is an animal that no longer walks our planet.
To me it looks like some kind of raptor with a horn protruding above its hooked beak, but apparently in the 1930s biologists identified it as a toxodont, a creature that hasn’t existed since the last Ice Age, about 11,000 years ago. That would mean the Tiwanaku people predated the Incas by thousands of years, with building techniques arguably just as advanced.
The site is littered with a variety of oddly-carved stone blocks with precision cuts. There are even more of them at Puma Punku nearby; if you’re a fan of the show Ancient Aliens you’ll likely have seen theories that Puma Punku was an alien landing site.
One of the strangest parts of Tiwanku, to me at least, is the ‘subterranean temple’, just beyond the Kalasasaya, sunken into the ground and lined with a stone wall studded with dozens of stone heads. It’s quite eerie to walk around.
The entire site feels very mysterious, out in the middle of nowhere high enough to touch the clouds. Rain clouds were looming overhead when we arrived, and by the time we made the longish walk to the Akapana, the stepped temple you first arrive at, we had only a few minutes with a guide with poor English before the skies let loose.
Everyone ran back to the visitor centre to have lunch, and I’m not sure the rest of our tour had gotten any idea of the importance of what they’d had the rare opportunity to see.
Then the sun came out and I asked if I could take another look. Our tour guide gave me twenty minutes, so I legged it back (my hubby’s knees were bothering him and he decided to remain near the bus to make sure it didn’t leave without me) and hiked along the long stone wall of the Kalasasaya, closely followed by a yellow bird that accompanied me the entire way — perhaps I picked up a spirit guide for a short time.
I was the only person in our group to see the sunken temple, and it was worth the frantic hike to get there. I wish we’d had more time to spend there, but at least I got a short look at what may be the oldest temple in South America, way up in the rarefied air of the Andes on the roof of the world.
We have ornaments from a lot of places, but this one, which I bought at a string of little open-air shops spreading out along the small town that tourism built just outside the archeological site, is always hung close to where I sit on the rec room sofa in the evenings so that I can see it every day. It’s a very special memory for me, from one of those places that rise out of the mists of time to haunt us today.
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